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Nathaniel Mayer - Why Won't You Let Me Be Black? (2009)



Nathaniel Mayer to według mnie jeden z najwspanialszych głosów w historii muzyki rozrywkowej. Wielka szkoda, że jest tak niedoceniany. Niestety nie będziemy mieli okazji zobaczyć go już "na żywo", ponieważ w wieku zmarł w 2008. Urodził się w 1944 w Detroit. Mayer karierę rozpoczął na początku lat 60, ale cały czas pozostawał jakoś w cieniu. Brzmienie jego głosu było bardzo charakterystyczne. Uważano go za mistrza soul. I faktycznie jego głos był soulowy, ale charakteryzował się bardzo bluesowym pazurem - nie stroniąc od rockowej drapieżności. Teraz już się domyślam skąd swoją inspirację czerpał Mitch Ryder czy Captain Beefheart.



Nathaniel Mayer (born 10 February 1944 in Detroit, Michigan, died 1 November 2008) was a rhythm & blues singer who started his career in the early 1960s at Fortune Records in Detroit, Michigan. "Nay Dog" or "Nate," as he was also known, had a raw, highly energetic vocal style and wild stage show.

After a 35 year absence from music, in 2002 Mayer began recording and touring again, releasing albums with Fat Possum, Alive Records and Norton Records.

Mayer started his career at Fortune Records, a Detroit record label owned by Jack and Devora Brown. There he became label-mates with fellow Fortune stars Nolan Strong and Andre Williams. Mayer would stay with the label for six years, recording a handful of records.

When Mayer was 18 years old he scored a Top 40 hit record in 1962 with "Village of Love," credited to Nathaniel Mayer and The Fabulous Twilights. It was originally released on Fortune Records, who then leased the record to United Artists Records for wider distribution. Follow-ups such as "Leave Me Alone" (late '62) and "I Had A Dream" ('63) failed to duplicate the success of "Village of Love" (although both records, especially "Leave Me Alone," sold well regionally). In 1966, Mayer released "I Want Love and Affection (Not The House Of Correction)," a funky offering in the James Brown vein. He then split with Fortune Records due to differences.

After Mayer’s Fortune Records days, his whereabouts were practically unknown and only ever confirmed by vague rumors for several decades. Though he did surface in 1980 to record the "Raise the Curtain High" 45 rpm. It would be the only release from Mayer between 1966 and 2002. Disappearing into the ghettos of East Detroit for the next two decades, rumors compounded, turning Mayer into a walking urban legend. However, after Norton Records released "I Don't Want No Bald-Headed Woman Telling Me What to Do" in 2002 (a never before released recording from 1968), Mayer was inspired to record and perform again.

Mayer staged a full fledged musical comeback in 2002. His once-sweet soul scream had deepened to a rasping growl, giving his latter albums a whole new feel. He played clubs and festivals, gaining a new generation of fans with his exciting live shows.



In 2004 Mayer returned to the studio to record I Just Want to Be Held for Fat Possum Records, a Mississippi label known mostly for releasing records by obscure bluesmen. In 2005 he toured with fellow Fat Possum artist The Black Keys. In 2006 Stardumb Records, a record label based out of The Netherlands, released a 7" single featuring three songs taken from the Fat Possum album.

Mayer's last sessions were released across two albums, 2007's Why Don't You Give It To Me? and 2009's Why Won't You Let Me Black?, both on Alive Records and featuring Dan Auerbach of The Black Keys, Matthew Smith of Outrageous Cherry, Troy Gregory of The Dirtbombs, and Dave Shettler of SSM and The Sights.

Today, Mayer's influence can be heard in multiple soul and garage bands. The Detroit Cobras remade "Village of Love" in 1996. While "Leave Me Alone" was remade by The Hard Feelings and Holly Golightly, Eve Monsees, The Exiles and the Gibson Brothers have all recorded "I Had A Dream."

Within a year after completing his first European tour, Mayer suffered multiple strokes. After months of hospitalization, Nathaniel Mayer died on November 1, 2008 in Detroit, Michigan. (wikipedia)

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