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April March - Paris in April / Sings Along With The Makers (1994/1997)

April March, prawdziwe imię Elinor Blake (ur. 20 kwietnia 1965 r.), amerykańska piosenkarka i autorka tekstów, śpiewa w języku francuskim i angielskim. Od dziecka fascynowała się Francją, do czego przyczyniły się zapewne liczne wymiany zagraniczne do Francji, w których uczestniczyła podczas nauki w szkole. W swej muzyce wyraźnie nawiązuje do francuskiego stylu pop z lat `60.

Muzyczka na "Paris in April" jest całkiem przyjemna - taki pop-garaż. Utwór "Chick Habit" wykorzystał w którymś ze swoich filmów Quentin Tarantino. Natomiast płyta nagrana wspólnie z grupą The Makers ma już punkowy pazur, a raczej pazurek.

April March (born Elinore Blake on April 20, 1965) is an American vocalist whose elegant indie pop material is often performed in French. Although the first album she ever purchased was England's Newest Hit Makers by the Rolling Stones, April March's own songs hark back to the pre-rock days of European pop and French yé-yé music. Following stints with several bands, she launched a solo career under the April March guise and recorded material throughout the '90s and early 2000s, usually gaining release abroad or via small indie labels in America.

Blake's interest in France took root in nursery school, where she began learning French from a puppet named Monsieur Hibou (translated: "Mr. Owl"). Her Francophilia increased in 1979, when she briefly attended junior high in France as an exchange student. She graduated from Phillip Academy Andover in 1983, after which she moved back to New York City to become a cartoon animator at Archie Comics. She graduated to the animation department on Pee Wee's Playhouse in 1984, and even animated Madonna for the "Who's That Girl" video.

In early 1987, Blake formed her first band, a female trio named the Pussywillows. She then took a yearlong break to attend the Disney character animation program, and when she returned, the Pussywillows recorded and released their only album, 1988's Spring Fever! The album unabashedly harked back to the pop and surf music of the early '60s, which helped earn the Pussywillows an opportunity to perform with Ronnie Spector at Madison Square Garden toward the end of 1990. The Pussywillows split up the following year, with Blake quickly assembling a new band, the Shitbirds. Blake was then hired as an animator and writer for The Ren & Stimpy Show, a gig that required her to move to Los Angeles. While there, she began recording under the name April March while continuing to work with the Shitbirds.

The first April March release, a CD/7" titled Voo Doo Doll, came out on Kokopop in 1992. The first Shitbirds 7" followed on Popllama in 1993. In January 1994, April March's Gainsbourgsion! CD was released in France on Eurovision. Blake then began her association with the record label Sympathy for the Record Industry in 1995, releasing another April March CD/7" (Chick Habit) on the label's dime that same year. The first Shitbirds album, Famous Recording Artists, also arrived in 1995, but the band dissolved soon after. Undaunted, Blake continued releasing material at a prolific pace.

Paris in April followed in 1996, as did the formation of a new band, the Haves. Superbanyair was released in Japan in February 1997, April March Sings Along with the Makers arrived one month later, and May 1998 saw the release of April March and Los Cincos. Chrominance Decoder was issued in 1999 via the Dust Brothers' Ideal Records, with additional remixes by the brothers themselves. This album gave Blake her first significant record label push in America, and 2002's Triggers heightened her profile with a blend of classy production and lush, nostalgic French pop. April March reached new ears in 2007 with "Chick Habit," her reinterpretation of Serge Gainsbourg's "Laisse Tomber les Filles," which appeared in the Quentin Tarantino film Death Proof. The following year saw her teaming up with Steve Hanft for the creation of Magic Monsters. --- Stanton Swihart, Allmusic

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