Weird Nightmare - Meditations on Mingus (1992)





Producer Hal Willner had created a reputation as a fascinating instigator, organizing homages to composers as diverse as Nino Rota and Thelonious Monk wherein he conscripted the services of musicians from all over the stylistic map, allowing them to bring their unique interpretations and approaches to bear on the subjects. For his Charles Mingus project, his central idea was as inspired as it was loony: to incorporate the amazing instruments invented and designed by another equally maverick composer, Harry Partch, into reinterpretations of Mingus' work. By and large, it works, making Weird Nightmare a strange and wonderful one-off event. There's a central band at work based around bassist Greg Cohen and guitarist Bill Frisell, with guest stars, mostly from the rock world, including Robbie Robertson, Dr. John, Keith Richards, and Chuck D Highlights abound; when Partch's Marimba Eroica is struck during "Pithecanthropus Erectus," the floors of the listener's dwelling may buckle. Elvis Costello's reading of the title song is, well, eerily weird. One special high point is the version of "Gunslinging Bird" where text from Mingus' autobiographical Beneath the Underdog is angrily and righteously declaimed by Chuck D.; it's arguably as pure and forceful as anything he ever accomplished with Public Enemy and makes one wonder why he never pursued this seemingly rewarding path. There are several missteps as well, to be sure. Most egregiously, Keith Richards' sneering condescension on "Oh Lord, Don't Let Them Drop That Atomic Bomb on Me," as though he had better things to do, is embarrassing. But eventually, it's simply the gorgeous music of Charles Mingus that carries the day, showing itself more than capable of shouldering the ghost of Harry Partch and the wayward inclinations of its interpreters. Most of the pieces glow in these unusual treatments, and make Weird Nightmare a must for any serious Mingus fan. --- Brian Olewnick, AllMusic

Some project members: Don Alias, Elvis Costello, Bill Frisell, Diamanda Galas, Dr. John, Vernon Reid, Keith Richards, Robbie Robertson, Henry Rollins, Leonard Cohen, Henry Threadgill, Charlie Watts, Marc Ribot...

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Hal Willner (born 1957, Philadelphia, Pennsylvania) is an American music producer working in recording, films, TV and live events. He is best known for assembling tribute albums and events featuring a wide variety of artists and musical styles (jazz, classical, rock, Tin Pan Alley). His first tribute album was Amarcord Nino Rota in 1981.

In the 1970s he worked under record producer Joel Dorn. He was music supervisor of Saturday Night Live from 1981–1990, occasionally returning in subsequent years. He was also a producer of the TV program Sunday Night hosted by David Sanborn.

Willner has produced albums for Marianne Faithfull, Lou Reed, Bill Frisell, William S. Burroughs, Gavin Friday, Lucinda Williams, Laurie Anderson and Allen Ginsberg, among others. He produced a live tribute concert to Tim Buckley, that ultimately launched the career of Tim's son Jeff. He has released one album under his own name: Whoops, I'm an Indian, which featured audio samples from 78 rpm records from the early-mid 20th century.

In January 2010 Willner produced the pirate-themed concert event Rogue's Gallery for the 2009 Sydney Festival. The mulitnational cast included Marianne Faithfull, Todd Rundgren (who had contributed to Willner's Thelonious Monk tribute album), Tim Robbins, Gavin Friday, Peter Garrett, Baby Gramps, David Thomas, Sarah Blasko, Katy Steele, Peaches, Glenn Richards, Liam Finn, Camille O’Sullivan, Kami Thompson and Marry Waterson. (wikipedia)

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